Mary Kastle- Beneath the Folds


I’ve listened to Mary Kastle’s album several time this summer but only truly appreciated it this past week. One of the reasons music is so important to me is that it is so attached- to me- to where I am when I hear it: mentally, physically, socially… Sometimes music has to find you where you are- no matter how hard one seeks to undestand the music, it has to find a way to get within the listener. This album does that- heartily recommended.

Mary Kastle Beneath the Folds Black Hen Music

Mary Kastle, I’ve learned, is a respected fixture within the Vancouver jazz community, and Beneath the Folds is her first, full-length album. An album that ebbs and flows comfortably between generously-defined genres, the constant is the bridled joy that is Kastle’s voice.

Beneath the Folds is honest- an album that unabashedly embraces Kastle’s many and varied musical interests. With a full-album’s worth of original, creatively polished music, it is a surprisingly fluid and defined mix of soul, jazz, and roots sounds. A diverse listen, the album hangs together remarkably well. Whether this is due to Kastle’s vision or producer Steve Dawson’s acumen is moot; it works. While it may be of interest to jazz types, to these ears Beneath the Folds fits comfortably in the roots world.

In addition to Kastle’s appealing, powerful, and lively vocals, the saxophones of Karen Graves and trumpet of Kent Wallace make their presence known with regularity, providing the album with an even richer dimension.

Tracks move from sultry jazz-pop (“Julia” and “Beneath the Folds”) to light shivers of soul (“False Alarm” and “Do It For A Day”)and even more impressive brushes of Memphis-shaded country R & B (“Little Bird,” “Beggin’,” and “Underwater”). Dusty in Memphis meets I Am Shelby Lynne, perhaps. But while comparison to albums that themselves served as tributes to a style of music may suggest limitation, within Kastle’s hands- and voice- such association doesn’t imply that the sound is watered down. From retro 2-Tone dub effects on the album’s up-tempo revisiting of “Drop Your Cover,” to drops of blues elsewhere, Beneath the Folds is a project that reveals additional textures and appealing sounds with every listen.

Comprised of introspective, challenging lyrics exploring personal themes of universal appeal, Kastle and Dawson don’t allow things to get bogged down by heaviness. As is implied by the fabric fluttering in the breeze within the gatefold jacket, Beneath the Folds has a lightness that contains delicate beauty.

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