Recent Roots Writing   Leave a comment


I haven’t done a great deal of writing during the past month, but I have placed a few pieces recently.

I posted my review of Phil Leadbetter’s new album The Next Move over at Fervor Coulee untitledBluegrass. With a bluegrass heart at the core of the album, Leadbetter and his many collaborators have created a wonderful disc that should find favour with those who are open to strong country influences. The reigning IBMA Dobro Player of the year has done very well here, and has enlisted strong singers including John Cowan, Steve Gulley, Dale Ann Bradley, Con Hunley, and especially Shawn Camp to give voice to the songs.

A few reviews went up at the Lonesome Road Review over the last month.

My take on Alice Gerrard’s new album Follow the Music is something you may be interested in if you appreciate strong folk music with an old-time bent. If you are not familiar with Gerrard, she has been a mainstay in the old-time music world for more than forty years, and prior to alicethat was without a doubt ‘a pioneering woman of bluegrass’ through her long association with the dearly missed Hazel Dickens. Not one to rest on her laurels, Gerrard has teamed with the principals of Hiss Golden Messenger to produce an album every bit as compelling as last year’s Bittersweet.

Fayssoux McClain may not be familiar to you, but if you have listened to the early albums from Emmylou Harris, you’ve heard her voice. Recording under her given name, Fayssoux has found a homealbumart with the Red Beet Records conglomeration- Peter Cooper and Eric Brace. If you are missing country sounds and tradition in the ‘country’ music of today, I Can’t Wait may be what you should be seeking.

Dublin’s I Draw Slow, beyond having a non-traditional sounding name for a bluegrass band also have a rather non-traditional draw slowapproach to the music. Still, there is something here that will be of interest to those who come to the music with rather open ears. I won’t be listening to this album as frequently as I do the music of James Reams, Flatt & Scruggs, or Dale Ann Bradley, but I found a great deal to appreciate within their album White Wave Chapel.

Walter Salas-Humara has been a central figure within the world that was once (for a few years) classified as alt.country, roots rock, or No Depression music. As the mainstay and chief songwriter for The Silos, Salas-Humara has released a whole lot of music walterover the last (almost) 30 years. Curve and Shake is his latest solo release, and it is a grand recording that I find myself returning to weeks after writing the review, a rare occurrence.

On second thought, I guess I have been doing enough writing these past weeks! Still, there are many albums sitting on the pile awaiting my attention- just need to find the time.

Thanks for visiting Fervor Coulee. Donald

 

 

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