Matthew Skoller Blues Immigrant Tongue ‘N Groove Records
Veteran Chicago harp player and bandleader Matthew Skoller has released an engaging, passionate collection of tasteful, groove-laden blues.
There is so much going on in these songs that one may be tempted to over-think things. Better to just relax into the propulsive rhythms and absorb their medicine. Most of the tracks are co-written by Skoller and producer Vincent Bucher.
“My Get It Done Woman” is about what you expect—nasty and base, just as we like it. A hard-trodden man faces his future in “Tear Collector” and the “Greyhound runs too slow” for the woman moving on in “747.” Skoller rails against the industry’s self-serving nature in “Only In the Blues,” a tune that some enterprising band will arrange as “Only in Bluegrass.” “The Devil Ain’t Got No Music” is like going to church—there’s a message there, if only it is heard.
One suspects Skoller is most proud of his “Blues Immigrant,” a wide-ranging opus of social (in)justice and circumstance. Over a foundation of guitar (Giles Corey,) bass (Felton Crews,) and drums (Marc Wilson) Skoller laments the obstacles that are placed in the way of those motivated to move forward. It’s a gentle number, one that belies the frustrations expressed.
Inexplicably, the album kicks off with its weakest song. “Big Box Store Blues” rails against the corporate monoliths that have destroyed local businesses, but sounds about a decade late. Similar ground is covered more successfully in the “Story of Greed.” Skoller connects everything nicely, closing the album with Luther Johnson’s “Down to the Nitty Gritty” and Papa Lightfoot’s down-trodden “Blue Lights.”
Blues immigrant is a terrific album from a fella who gets it!