Corinna Rose Logston Bluegrass Fiddler Patuxent Music
Patuxent Music, over the past handful of years, has released some very fine bluegrass music. Not everything they do is to my liking, but neither is everything that comes out on Mountain Home, Rebel, or Rounder.
This year has been especially pleasing. Things started late in 2015 with Danny Paisley & Southern Grass’s excellent Weary River and continued with Audie Blaylock & Redline’s The Road That Winds and Frank Wakefield and Leon Morris’s self-titled album. The Travers Chandler Archaic album had its moments, and while Charm City Junction didn’t do much for me personally, their talent is apparent.
Now comes a release from an artist I wasn’t previously familiar with but whom I am going to start watching out for, Corrina Rose Logston. From what I can gather searching the web (the one-sheet accompanying the album is short of background) this is Logston’s third album following a pair of (perhaps) self-released efforts. Previously this year, she released an album with the band High Fidelity, whose banjo player Kurt Stephenson is featured prominently on this release. Logston also regularly appears with Jesse McReynolds.
The title of the album is an acute summation. This is a bluegrass fiddle album, and a darned fine one. While I will sometimes drift-off (to use a polite term for ‘lose consciousness’) listening to a fiddle-dominated recording, Bluegrass Fiddler kept me intrigued from start to finish. No doubt part of the reason was that Logston’s assembled band keeps things interesting, not just supporting her fiddling showcase, but sounding like a true band who has worked up a strong set of numbers.
“Laughing Boy” kicks things off in capable fashion, and it isn’t too long before a delightful original “Sandbridge” makes an appearance. This lively number moves just a little, injecting some creative spark to the presentation. While the album is largely instrumental, there are two vocal tracks, both of which are impressive.
An old C&W song from Cowboy Copas, “I Don’t Blame You,” is featured first, and includes excellent interplay between the band members, especially Logston and guitarist Jeremy Stephens. It is the type of song one might expect John Reischman & the Jaybirds to uncover and enliven with bluegrass verve.
While many have heard “Foggy Mountain Top” a thousand times or more, we have to remember we all heard it for the first time performed by someone, and as often as not not the Carter Family. Whomever is introduced to the song via this rendition is in for a treat, as the fiddling is stunning, the lead and harmony singing is delightful, and Casey Campbell’s mandolin break is real nice.
Bluegrass vet David Mclaughlin appears on five tracks, including a stout “Smokey Mountain Rag.” P.J. George, who also plays with Lindsay Lou & the Flatbellys (a band I reviewed here), is the bassist. Several popular fiddle numbers are featured including “Sopping the Gravy,” “Wilson’s Hornpipe,” and “Snowflake Breakdown.” The album’s second original number is a showstopper, “Honeycat Hornpipe.” Delightful.
Bluegrass Fiddler is a very impressive album, one that has the extra ‘something’ to separate it from the mass of releases encountered this year. It will find a place on my ‘best of 2016’ list, me thinks