Richard Laviolette Taking the Long Way Home You’ve Changed Records
Earnest country records are few and far between. Ignoring the trappings of modern country recording, Ontario’s Richard Laviolette has created a natural-sounding album, balancing the beauty and fidelity of old-time country and folk music (think Clarence Ashley and Doc Watson recordings with the refinement of original songs and expanded instrumentation) with the gravity of personal exploration and experience. “The house that I grew up in, has long been forgotten,” he sings in the lead track “Grey Rain,” over a sprightly shuffle rhythm. “But these memories are calling me home.”
Featuring songs that bring to mind the Americana songbook and its most revered vocalists, Taking the Long Way Home bridges the chasm between the familiar and the obscure. Seldom does a song cause this writer to pull-over off the highway, but “Two Guitars”, a stark paean to songs and their performance did just that the other day. “Someone To Tell My Story When I’m Gone” brings to mind the artfulness of a Guy Clark composition sung by John Prine, while “The Rock and the Moss” is an obvious (at least, to these tired ears) nod to Gram Parsons and Chris Hillman.
The album’s strongest song is the title track, with a vibrant Willie Dunn—groove propelling this road song above its neighbours. Elsewhere, as on “Red-Winged Blackbird,” an easy-going Dave Edmunds beat disguises the intensity of an ode to a developing relationship; Julia Narveson’s fiddle and Aaron Goldstein’s pedal steel are key to this terrific song.
Less impressive is the admittedly great title “My Grandma’s More Punk (Than Most Punks I Know;)” unfortunately, the song goes on for almost five-minutes without making its case. The melody itself is very appealing, but a more robust premise and refrain would have improved it greatly; it is almost as if Laviolette had the title in one pile of unfinished ideas, and the song in a second and attempted to bring them together.
With additional songs revealing the family connections made through music (“Yesterday’s Gospel,” “Old Country Music”) and a coda for the ages (“You’ve Really Got Me On the Run”) Richard Lviolette and producer Andy Magoffin have crafted an album that is rich and deep. Like the floor and shoes gracing the cover, these songs have age to them— and they have a lot more to give; we’ll be listening to them twenty years from now.