Fred Eaglesmith has been around the Americana/roots/Canadiana music world for almost 40 years. His first album was released in 1980, and since then he has unleashed more than 20 albums (including live sets) to a devoted following, but hasn’t ‘quite’ broke through to the threshold of household name; for perspective, Lucinda Williams’ folk/blues cover set Ramblin’ was released the previous year, Guitar Town was six years away, and No Depression was part of a Carter Family title.
I don’t pretend I have been listening to Fred since 1980. I believe I first heard the Ontario renegade at a mid-90s edition of the Calgary Folk Music Festival. I have no recollection who Eaglesmith was sharing Stage 4 that afternoon, but I recall my wonder at hearing his songs that weekend for the first time, “I Like Trains,” “White Trash,” “Wilder Than Her,” and “49 Tons,” I believe.
In the years since, across many albums and several live sets, my admiration has not waned despite his once cutting short an interview before I even finished my first question. His latest is called Standard, and while it doesn’t include a “White Rose” or “Spookin’ the Horses,” it does contain songs that-given a chance-may just become as fondly held.