Jesse Waldman Mansion Full of Ghosts JesseWaldmanMusic.com
A music industry veteran with considerable soundtrack and live performance work behind him, Mansion Full of Ghosts is the debut album from Vancouver’s Jesse Waldman.
There was a time about 15 or so years back when a friend and acquaintance produced scores of house concerts and cafe shows in Red Deer, and no matter who was appearing—previously heard or more often not—you were ‘almost’ guaranteed a memorable evening of fresh roots music. Listening to this album reminds me of the first time Billy exposed me to Steve Coffey, Jack Harlan, Harry Manx, Old Reliable, John Wort Hannam, and a handful of other intense, focused, and supremely talented individuals, all plugging away making original music. Jesse Waldman would have been appreciated then.
Musically, Waldman reminds me of Joe Pug, a singer I happened upon a few years ago via eMusic and who I caught in a well-remembered show at Kansas City’s The Record Bar four springs ago. Like Pug, and I suppose all strong songwriters of their vein, Waldman weaves together apparently simple images and scenarios into songs of magic, creations that are so elegant, personable, and homey that one thinks they’ve encountered them before: the listener thinks, If I had the talent, that’s how I would have wroteit/sung it.
Waldman’s voice is at the fore of these songs, and nothing is lost within the atmospheric and near-lush instrumental and harmony accompaniment. “Wild Balloon” is as airy as it sounds, but the foreboding lyrics encourage restrained trepidation. “Hummingbird” is more gentle, but every bit as appealing: a fragile domestic scene we should all appreciate. Waldman is greatly influenced by his East Vancouver environ, but the appeal of his writing is universal. “EastVan Blues” and “Hope in Shadows” are likely as relevant to those in St. John’s, Asheville, or Dublin. Additional highlights include “Ashes,” a duet with Megan Alford, “Keep A Light On In The Dark,” and “The Rest of My Days,” perhaps Waldman’s strongest song included.
Comprised of 16 songs running over an hour, Mansion Full of Ghosts never labours, and our attention never drifts. With no two songs sounding too much alike, the individuality of his musicians are to be appreciated. Familiar names abound—Michael Simpsonelli, Michael Rush, Tom Hammel, Beth Southwell, Tom Heukendorff, Alford, Monte the harmonica player, and Marc L’Esperance, who also co-produced the album with Waldman—and they have come together to present as rich and diverse creation of voices and instrumentation as imaginable. Touches of country blend with Waldman’s folk outlook.
An incredible album with songs and sounds that would fit on any adventurous radio program beside the likes of Emmylou Harris, Rodney Crowell, Jenny Whiteley, and Ron Sexsmith. I’ve been listening to the album for a couple months now, and it moves me a little more each time I return. I suppose that is what great music does.
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