Junior Sisk & Ramblers Choice The Mountains Are Calling Me Home Mountain Fever Records
Having released seven albums under his own name in the past decade, as well as recording as a member of Santa Cruz and Blue Ridge, Junior Sisk has the pattern down. One of bluegrass music’s most recognizable and appreciated vocalists, his albums balance the expected elements: traditionally-rooted bluegrass with ballads stirring soulful memories, up-tempo, catchy numbers sparked by stellar instrumentation, and sincere gospel reflections to speak to believers.
The Mountains Are Calling Me Home doesn’t deviate from this template, nor should it. What the album lacks in surprise or innovation, it more than compensates with energy and precision. A mark of Sisk albums is the strength of the material, and this is again readily apparent.
Sisk almost always includes a Daniel Salyer song on his albums, and this time out there are a pair. “What Goes Around Comes Around” is the lead track, and puts the familiar cliché to good use. Elevating the number are Sisk’s smooth, soaring vocals—especially on the chorus—and the songwriter’s decision to move past the expected wordplay to craft a song that is universal and emotionally relevant. A second song, “Shape Up or Ship Out,” again plays with familiar language, and will appeal to a segment of the bluegrass festival audience; it isn’t a song that advances the music, but it does encapsulate the frustration of its protagonist and features attractive fiddling from Jamie Harper. In a similar vein, “I’m Not Listening Anymore” (a Ronnie Bowman/Tim Stafford co-write) captures a failing relationship from a different perspective.
The album’s title track is the album’s feature number. Written by J.R. Slatterwhite, Jr.—a songwriter that I (unfortunately) know nothing about—one immediately comprehends what attracted Sisk to the song. Emphasizing human experience and frailty, the song speaks to the familiar bluegrass theme of the wandering son. Familiar songs include “It’s So Cold,” a track recorded by Blue Ridge on their Common Ground album, and “You’ll Be A Lost Ball,” a bluegrass standard. “What a Way to Go” is not the same song Ray Kennedy snuck into the Country Top Ten in 1991, (and one only wonders what could a bluegrass band do with that one), but is similarly a rollicking, energetic number that could find success at radio.
As Sisk was physically unable to play guitar during the album’s recording, Aaron Ramsey was brought in, and is much appreciated on numbers including “Darling Do You Know Who Loves You” and “Money (Will Not Save You.)” Johnathan Dillon’s mando on the latter gospel number is also worthy of notice, while Jason Davis’ banjo playing drives the album.
The Mountains Are Calling Me Home continues Junior Sisk & Ramblers Choice’s string of well-considered and successful bluegrass projects; it should appeal to his fan base and would be a fine album for those just finding their way in the bluegrass world.
Thank you for finding Fervor Coulee, where it is all about the music. Donald