D. B. Rielly Live from Long Island City: Live at the RaR Bar https://www.dbrielly.com/
When D. B. Rielly contacted me about his new 7-song live EP, I immediately expressed interest: a new live set from one of my favourite singer-songwriters, of course I want to hear it! Later it occurred to me, “How will this one be packaged?”
Previous Rielly albums had come housed in tin and wood boxes. When this postcard-encased release arrived, I had my answer. There is much to appreciate about D. B. Rielly beyond his aptitude for creative packaging.
With spoken-word witticism reminiscent of John Prine and an Arlo Guthrie-inspired penchant for the absurd, D. B. Rielly is truly a master, a remarkable person doing remarkable things.
Stripped to the essentials—a man, his guitar, and his words— Live from Long Island City: Live at the RaR Bar is a document of a songwriter at the peak of his craft, playing his songs for ‘non-imaginary people.”
These seven songs (and three tracks of between song setup and insight) are focused entirely on relationships free of the sucky-ass stuff that makes us uncomfortable. “Look at You” (“looking at me”) and “Nothing Like You” are the most straight-forward loves songs, the latter lead track featuring more heart-encasing, protective humour than the former.
“I Believe, Angeline” and “Don’t Give Up on Me” are the yearning numbers, ones where love is sought but not necessarily achieved. “Let It Ring” challenges the phone that has come between a couple, a clever, understated piece.
Two distinct slices of romance are presented in “Prenup” and “I’ll Remind You Every Day.” “Lawrence Welk” leads into “Prenup,” a song where one gives freely of his heart, but not his Stuff. “My Ma,” detailing a family coming to grips—replete with requisite dark humour—with dementia, leads into the heartfelt devotional “I’ll Remind You Every Day.”
The brevity (24.5 minutes) of Live from Long Island City: Live at the RaR Bar is its only fault. While our appreciation for the concept is true—seven new compositions presented without ceremony—the inclusion of live takes of previous Rielly chestnuts (maybe “Roadrunner,” “I’ve Got a Girlfriend,” “It’s Gonna Be Me,” or “Moving Mountains?) as bonus tracks would not have been out-of-place. They would, however, result in a different recording, and we’ll trust the artist to know what he wanted to present.
As an introduction to the best songwriter you’ve never heard, Live from Long Island City: Live at the RaR Bar serves as an exceptional appetizer . For those of us already fans of the troubadour, it refreshes our appreciation.