Joyann Parker Hard To Love Hopeless Romantics Records
When I reflect on the joys writing about roots music bring me, I can itemize many elements that inject pleasure in my life. Among them, and perhaps in the Top 3, is that in writing about music in the way I do—off the mainstream grid, without the day-to-day constrictions more widely read writers must traverse—I am exposed to musicians doing their thing within similar circumstances.
In this way and over the last two decades I have been exposed to ‘local heroes’ I might never have heard otherwise, be they John Paul Keith, Jay Clark, Brigitte DeMeyer, Jeffrey Halford, James Reams, Murder Murder, Diana Jones, and too many more to mention. Along the way, my definition of roots music has expanded to include more than ‘fools on stools,’ roots rock, and bluegrass.
So after a few hundred newspaper columns, dozens of bluegrass radio broadcasts, and likely a thousand or so reviews and posted ramblings, Joyann Parker comes to my attention.
The immense, propulsive bass notes that open the album are the first hint that we are in for a treat with Hard To Love, the Minneapolis singer’s second album. Promising that, “By the time I get to Memphis, you’ll be gone,” Parker (producer, guitar, piano, and trumpet) wastes no time establishing her power as a vocalist and bandleader. Her blend of blues and roots includes plenty of Memphis-Muscle Shoals spirited soul, and with just a hint of country in her voice, Joyann Parker is perfect for those of us who have come to appreciate music originating from the south. “I got to keep on rolling on down,” she sing as a bridge to the album’s opening track, “Memphis” and for the next forty-five minutes, she doesn’t let up.
If that wasn’t enough, she next slides into “Envy,” a slick and sassy Dusty Springfield/Marlena Shaw styled workout: Parker is taking no prisoners. Buoyed by a killer-tight band—Mark Lamoine (co-producer, guitar, and background vox), Tim Wick (piano and organ), Michael Carvale (co-producer and bass), and Alec Tackmann (drums and percussion), Parker asks the eternal question: “Do you love her like you love me?” One gets the sense the answer isn’t going to much matter: she is moving on!
Like the best soul-enriched blues, Hard To Love contains tales of trouble, misplaced devotion, and broken vows and shattered hearts. Some songs simmer with desire (“Jigsaw Heart” and “Home”) while other songs shade their passions behind a danceable beat that few this side the late Sharon Jones can manage (“Dizzy”, for example). Like the best of songwriters, Parker takes her experiences and threads them through those of others, creating relatable songs containing universal truths.
And, you can dance to it! Without attempting to sound retro, Parker brings to mind rarely encountered Stax artists including Barbara Stephens and Linda Lyndell on groovers such as “Who What When Where Why” and “What Happened To Me,” while “Bluer Than You,” “Hard To Love,” and “Evil Hearted” take more subtle tracts. New Orleans sounds are explored in the free-spirted “Ray” and the lively “Your Mama.”