It has been some many years since I last heard a Jim Hurst album. I purchased Intrepid years ago upon release, and his performance of “Dew On The Mountain” remains one of my favourites.
Jim Hurst is under-known within the acoustic and bluegrass worlds despite a career of considerable length with numerous accolades. Twice the IBMA’s Guitarist of the Year, Hurst has served as a sideman and compatriot to many including Claire Lynch, Missy Raines, Holly Dunn, and Trisha Yearwood. For more than a decade, he has performed and recorded under his own name as well as leading the Jim Hurst Trio.
As he did for Second Son, for From the Ground Up Hurst has recruited a ‘who’s who’ of bluegrass instrumentalists and vocalists to create as satisfying collection of music as we are likely to encounter this year.
Darin and Brooke Aldridge join in on the singing of “Sunnyside Garden,” a touching Jack Shannon song; bluegrass has needed a fine ‘old folks’ home’ song with a more uplifting ending than “Bed By the Window,” and this song has a number of ear-catching lyrics including “a scholar of dirt, faded blue jeans and a Merle Haggard shirt.” Also featured alongside the Adridges and Hurst on this number, as well as the equally impressive “A Stones Throw Away” are Alan Bibey (mandolin), Christian Ward (fiddle), Steve Wilson (banjo), and Michael Gaisbacher (bass).
Adding to the consistency of the album, several musicians appear on various songs in different alignments. Shawn Lane (fiddle and mando) appears several times, including impressively on “John Williams” and “Weary Old Highway.” Dale Ann Bradley sings on “Back to the One” while Michael Cleveland (fiddle) and Kristin Scott Benson (banjo) and Wayne Benson (mando) contribute to “Nothin’ To Do But Pray,” another impressively written song, one of three from John Cadley featured.
The Delmore’s “15 Miles to Birmingham” is satisfyingly presented as a duet between Hurst and Don Rigsby (mando) with Hurst absolutely cutting loose vocally on “Oh Lonesome Me;” Kari Penn (fiddle), Danny Roberts (mandolin), and Gary Davis (banjo) help drive this memorable take.
Hurst’s guitar playing is just beautiful. At time he reminds us of Doc Watson’s righteous clarity and elsewhere he harkens to the misty darkness of a time before memory. And then, on the next song, as on “Weary Old Highway” and “Easy Does It,” he presents as a contemporary country and ‘grass master. His singing remains stout and smooth, gentle and emotive, as fine a combination as we could seek.
Jim Hurst’s From the Ground Up will be frequently played this summer and into the fall. It is a terrific bluegrass recording, and we haven’t had a lot of those come our way in the last year.