Fervor Coulee’s Ten Favourite Roots Albums of 2018

Throughout December I have been posting a series of columns reflecting on the year-in-roots-music past. I hope you have been inspired to locate albums that had passed you by, and are enjoying what I have recommended. Readership at Fervor Coulee has steadily increased the last three years with growth of 10% and 20% the previous…

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Fervor Coulee’s Favourite Bluegrass Albums of 2018

Favourite, not best. I happen to consider them the best, but you certainly may feel different. One will notice no ‘big tent’ bluegrass on this list-the furthest afield I go is with my #1 album, which is still fair solid bluegrass. These are the albums I felt delivered in 2018. 1. The Travelin’ McCourys- The…

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Hazel Dickens & Alice Gerrard- Sing Me Back Home: The DC Tapes, 1965-1969 review

Hazel Dickens & Alice Gerrard Sing Me Back Home: The DC Tapes, 1965-1969 Free Dirt Records Rare, archival material from the most important female duo in bluegrass history will always be welcomed. The contributions made by Hazel Dickens and Alice Gerrard have long been acknowledged by people who have chosen to delve into their music…

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The Albums That Shaped Me, August 2018

Over at Fervor Coulee Twitter  I am spending August exploring my music roots with Thirty-Two Albums That Shaped Me/Thirty-One Days Inspired by a summer of sorting (not that you would notice) and tidying (again, obvious only if you knew what it looked like before) I am going to try to explain my music journey in…

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Big Bend Killing: The Appalachian Ballad Tradition review

I had to take much of the past month away from writing, but I continued to listen to music. I can’t count the number of hours I spent listening to this amazing two-disc set. It is absolutely splendid, ideal for those of us who appreciate the old songs and the artists who keep them alive.…

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Laurie Lewis & the Right Hands- The Hazel and Alice Sessions review

Laurie Lewis & the Right Hands The Hazel and Alice Sessions Spruce and Maple Music I don’t remember exactly when I first heard Hazel Dickens. Odd that, because one can’t really listen to Hazel Dickens without knowing you’ve heard Hazel. Her voice is one that isn’t confused with anyone else’s; there is power in her…

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Recent Roots Writing

I haven’t done a great deal of writing during the past month, but I have placed a few pieces recently. I posted my review of Phil Leadbetter’s new album The Next Move over at Fervor Coulee Bluegrass. With a bluegrass heart at the core of the album, Leadbetter and his many collaborators have created a…

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