A while back, Country Standard Time asked me to review Blackie and the Rodeo Kings’ latest, Kings and Kings. I had previously bought the download of the album for my own enjoyment, so I was more familiar with it than I normally am with an album by the time came to write about it. It holds up. My review can be accessed here.
Archive for the ‘Country Standard Time’ Tag
The first song of Otis Gibbs’ was “Everyday People,” the song that starts, “Grandpa walked a picket line when he was nineteen, had a wife and kids back at home to feed. Daddy did the same it was his turn to, made things better for me and you.” With those four lines, he captured me. That’s how it goes sometimes. Guy Clark did it just as quickly for me. So did Joy Lynn White, Bruce Springsteen, Melody Walker, Marty Stuart, and-more recently-Danko Jones. As I have those artists-and a hundred and sixty seven others-I’ve slowly amassed all the available recordings, and have eagerly anticipated new music since that initial moment of illumination. Like them, Otis has a way about him-one that reveals itself quickly, but which depths take years to explore.
Otis Gibbs is damn good. If you haven’t heard him, change that. Now. Mount Renraw is as good an album as he’s released, and there are a bunch of them. My review was published over at Country Standard Time, and somehow I missed cross-linking it here. So, that’s one thing fixed around the house today. Can’t find my drill or bits, so the laundry room closet door is going to have to wait a bit longer.
Spend a bit of time at http://otisgibbs.com/ to watch videos of “Sputnik Monroe” and “Great American Roadside.”
Fred Eaglesmith has been around the Americana/roots/Canadiana music world for almost 40 years. His first album was released in 1980, and since then he has unleashed more than 20 albums (including live sets) to a devoted following, but hasn’t ‘quite’ broke through to the threshold of household name; for perspective, Lucinda Williams’ folk/blues cover set Ramblin’ was released the previous year, Guitar Town was six years away, and No Depression was part of a Carter Family title.
I don’t pretend I have been listening to Fred since 1980. I believe I first heard the Ontario renegade at a mid-90s edition of the Calgary Folk Music Festival. I have no recollection who Eaglesmith was sharing Stage 4 that afternoon, but I recall my wonder at hearing his songs that weekend for the first time, “I Like Trains,” “White Trash,” “Wilder Than Her,” and “49 Tons,” I believe.
In the years since, across many albums and several live sets, my admiration has not waned despite his once cutting short an interview before I even finished my first question. His latest is called Standard, and while it doesn’t include a “White Rose” or “Spookin’ the Horses,” it does contain songs that-given a chance-may just become as fondly held.
As time takes the lauded masters of bluegrass banjo, another generation is allowed to come to the fore. I don’t mean the youngsters who have studied and practiced for a dozen or twenty years and are confidently taking the 5-string to amazing new places.
No, the time has come for the light to shine on those who have been refining and perfecting their skills for thirty, forty, and more years. Folks like Danny Barnes. My review of Stove Up is posted at http://www.countrystandardtime.com/d/cdreview.asp?xid=6349
Danny Barnes has been a personal favourite since somewhere in the late 90s when a friend introduced me to the Bad Livers. He is a terribly interesting banjo slinger, and has written some incredible songs (such as “Falling Down the Stairs,” “Get It While You Can,” and “Charlie,”) recorded timeless albums including Delusions of Benjer and Things I Done Wrong, while also covering folks as diverse as T. Rex, Beck, The Faces, and now-on Stove Up- Don Stover. It is an absolutely beautiful album of (mostly) straight-ahead bluegrass.
Over at Fervor Coulee Bluegrass (and eventually I will cross-post here) I have meticulously and expertly (!) compiled my list of my favourite bluegrass album of the year 2016. Please realize, these are my favourite bluegrass albums meaning, a) your list may be different, b) I don’t pretend to know what is best, and c) your definition of bluegrass may be different from mine. After much nasal grazing, these are the twenty I came up with, the albums I most enjoyed, most frequently listened to, and most highly regarded.
By a fairly large measure, Laurie Lewis & the Right Hands’ The Hazel and Alice Sessions topped my list. The complete article is posted HERE.
Starting the ‘year-end’ process, and in doing so I found a couple reviews posted elsewhere that I didn’t link through here at Fervor Coulee.
Very early this year, The Grascals released their eighth album ..and then there’s this. Country Standard Time published my review. It was a great way to start off what turned out to be a better than typical year of bluegrass albums.
Travers Chandler’s Archaic was released a few months back, and my review was published over at Country Standard Time; the typo is likely entirely my own danged fault. Some good ones on here, but a couple clunkers, too.
Finally, can’t believe I missed putting up a link to one of my favourite albums of the year, Sister Sadie’s debut release. What a set- over at Country Standard Time.
Careless on my part- sometimes it is hard to keep up. Best to you- listen to some roots music. Maybe even buy it! Donald
Things have been hopping in the Fervor Coulee Bunker. Several reviews have been posted at the usual sites.
Darrell Scott has long been a personal favourite. His latest release is very impressive. My review is up at Country Standard Time. http://www.countrystandardtime.com/d/cdreview.asp?xid=5983
Guy Clark passed this week, and I can’t add to the quality of tributes shared across the web. I offer only my favourite picture of him, taken in July of 1996 at the Calgary Folk Music Festival. He and Rosanne Cash were singing “Watermelon Dream.” It isn’t an exaggeration to write that Guy Clark changed the way I listen to music. He was a heck of a nice guy the one time I shook his hand, and I know I will listen to his songs to my final days.
James King also succumbed this week. My thoughts are posted at Fervor Coulee Bluegrass. http://www.countrystandardtime.com/blog/FervorCouleeBluegrass/entry.asp?xid=1090
Additional reviews have been posted at Lonesome Road Review.
PEI’s Nudie released an excellent album of country honky tonk this spring: http://lonesomeroadreview.com/everythings-different-night-nudie/
I had never heard of Jack Hardy before receiving A Tribute to Jack Hardy to review. It is quite an interesting album: http://lonesomeroadreview.com/tribute-jack-hardy-various-artists/
Steve Coffey has long been one of my favourite singer-songwriters, Albertan or otherwise. His latest set is a combination book of paintings and music that has limited release: http://lonesomeroadreview.com/paint-songs-steve-coffey/ I love Coffey’s visual work as much as I love his writing and singing. An amazing package.
More reviews are in the pipeline. Thanks, always, for visiting Fervor Coulee- hopefully you find artists to explore. Donald