Archive for the ‘Emmylou Harris’ Tag

Various Artists- The Life & Songs of Emmylou Harris review   Leave a comment

emmylouIf every artist I admired as much as I do Emmylou Harris were on a stage, there would only be a handful present. For me, she is one of those that the Americana conversation should start and end with. Regal and responsive, she is a vocalist with few peers and as an interpreter of song she may be the finest I’ve heard.

My 5 star review of the live recording The Life & Songs of Emmylou Harris was published over at the Lonesome Road Review. It is a recording I feel all should hear and see. Atypically, the CD and DVD have slightly different contents, allowing one to hear more of the evening without having to have the package expand to two audio discs. The presentation successfully crosses musical generations unlike most similar tributes.

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Fervor Coulee’s Favourite Roots Albums of 2016   2 comments

At the end of each year, writers and broadcasters get to indulge themselves and—one hopes—their readers and listeners with their judgements on the year past.

I’ve spent substantial time reviewing the roots/Americana/whatever you want to call them, if they are on the No Depression list I might have considered them, and even if they aren’t I still may have albums I heard during the past year, and have come up with my definitive (at least for today) list of Favourite Roots Albums of 2016. Of course, your kilometreage will vary: I once received a cranky email from the father of a fairly prominent bluegrasser whose album I didn’t include on such a list several years ago. For those such inclined, I repeat—these are my favorite roots albums of the year. Not the best, ’cause that is silly. And all I can base it on is those albums I’ve heard, and maybe I somehow missed your son’s album…talk to his publicist.

I’ve already posted my Favourite Bluegrass Albums of 2016, and while bluegrass is an essential part of roots music, I’ve chosen not to intermingle the ‘grass into this list. Reason? This way I get to praise more albums. If you care about such stuff, my favourite bluegrass album of the year, Laurie Lewis & the Right Hands’ The Hazel and Alice Sessions would also top this list if I were to include bluegrass amongst the roots. Likely the top six bluegrass albums would have made my top 20 roots albums, and I likely would have found space for Sam Bush, too…

The number rankings, once past four or five, don’t mean much more than a way for me to stay organized: feel free to move your favourite up a spot or three. Full reviews are linked as artist/title.

My Favourite Roots Albums of 2016 are…

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1.Mark Erelli- For a Song Likely the album I listened to second most all year. Erelli has been at the top of his game over the past number of years, both with his bluegrass band Barnstar!, as an interpreter of others’ music (his Bill Morrissey album of a couple years back, Milltowns,) as a pissed off (alternately, disappointed) topical folkie of the Woody Guthrie vein (“By Degrees,”) and on his latest full length release, For A Song. For a Song is a quiet album, yearnsome and blue in turn, reflective, observant, and above all honest; the album wove its way into my soul, making me appreciate what I understand and consider that which I don’t. I just wish he would show up in Alberta some time.

2.Maria Dunn- Gathering One of Alberta’s foremost folk musicians returns with her sixth collection of lyrically-rich gems. An artist who places her convictions and heart on display in complementary proportions, Dunn has found balance between sharing the inspirational and compelling within songs that are insightful, artfully constructed, and just plain enjoyable. There will always be more than a bit of the Celtic lands in Dunn’s music, and throughout Gathering African, Asian, and Canadian First Nations influences can also be heard. Like the finest troubadours, Dunn communicates: she is the vessel through which others exist. She reveals the innermost, personal, and captivatingly universal perspectives and insights of devoted parents, the down-trodden challenged by circumstance, those connected to the land by more than choice, and the youthful who rise above.

Certainly one of the finest recordings to be released this year. Those who compare Maria Dunn to Woody Guthrie, Hazel Dickens, Jean Ritchie, and Buffy Sainte-Marie aren’t taking the easy way out: with the release of Gathering she demonstrates that she is an international folk artist of significance.

3.Jenny Whiteley- The Original Jenny Whiteley On this recording, Whiteley satisfies a desire to more fully explore the music that provided the foundation for her development—old-time folk sounds that have existed and thrived for generations. A recognition of her rich and diverse Americana/Canadiana upbringing within the venerable Whiteley clan, this fifth recording is a rootsy masterpiece. In a lesser artist’s hands such a multi-dimensional homage might sound disjointed; The Original Jenny Whiteley is united in its eccentric melding of the rich traditional and roots tapestry—folk, jugband, bluegrass, early jazz and ragtime, Francophone, Dylan, and the blues.

4.The Honeycutters- On The Ropes Fronted by Amanda Anne Platt, the Honeycutters offer up country sounds that have a bit of rock ‘n’ roll push, a combination that enhances rather than detracts from their honky-tonk foundation. Their instrumental interplay is excellent, and Platt has an incredible voice, as powerful as needed and as tender as desired. There exists an intimacy within these songs, all but one written by Platt, and that intensity allows the songs (and their performance) to make personal connections with listeners.

The Dixie Chicks seem a reasonable comparison. Playfully rambunctious and justly pointed, a song like “Let’s Get Drunk” resonates: “…and if the ship is really sinking what’s the use in waiting til it’s sunk? Baby, we’re already drinking, so we might as well get drunk.” Where was she 35 years ago?!

5.Western Centuries- Weight of the World I am sure it is no coincidence that the debut album from Western Centuries vaguely resembles the self-titled release from a late 60s band of considerable Americana-roots influence. Fronted by a trio of songwriters, each singing their own songs with distinctiveness, Western Centuries is a modern country band that encourages cerebral shifts as readily as it does two-stepping shuffles. Drawing inspiration from generations of country honky tonk singers and their bands, Western Centuries is something many of us are continually pursuing—a genuine country band that doesn’t take the easy way reinterpreting familiar songs, but rather pushes their talents toward creating modern classics. Weight of the World is pert darn special.

6.Robbie Fulks- Upland Stories Stone classic this one is. Nominated for a Grammy for “Alabama at Night”—wait a second, Robbie Fulks is nominated for a Grammy! Let that percolate for a minute. Maybe 2016 wasn’t an entirely awful year! There are a dozen memorable songs on Upland Stories, none indistinguishable from those surrounding it. Maybe not Fulks’ most exciting or dynamic album (tough to beat those early albums,) but maybe his best.

7.William Bell- This Is Where I Live I have to admit, when I saw a tweet from Rosanne Cash about a new William Bell album, my first thought was “Is that like the Pop Staples album of last year?” Because I truly thought William Bell was dead. Idiot, me. I first heard William Bell after Billy Idol covered “To Be A Lover,” playing the crap out of that pink Soul of a Bell album in the mid-to late-80s. I’ve now played This Is Where I Live as many times. A beautiful sounding, complete album. Another Grammy nominee. Tied with #8 for Comeback of the Year.

8.The Monkees- Good Times! Hands down, my most played album of the year. No Depression has it on their year-end list, so that makes it roots enough for me. “She Makes Me Laugh,” “You Bring the Summer,” and “Love to Love” are just great songs. Pure pop for old people.

9.Caleb Klauder and Reeb Willms- Innocent Road Featuring the Caleb Klauder Country Band, Innocent Road is comprised of a half-dozen Kluader songs, a few obscure covers, and a healthy dollop of familiar country classics from the likes of Buck Owens and George Jones. The kicker is a track from Paul Burch’s stunning Fool For Love album, “C’est le Moment (If You’re Gonna Love Me,)” artfully sung by Willms.

As much as I enjoy Prine and DeMent and Robison and Willis, I think I might just prefer what this duo accomplishes. There is no artifice within these recordings, no hint of sly aside.

10.Northern Cree- It’s A Cree Thing North America’s original roots music perhaps? Northern Cree are a drum group from Alberta, and It’s A Cree Thing has also been nominated for a Grammy, the seventh time this group from Saddle Lake has been recognized in this manner. It’s A Cree Thing is a powerful collection of round dance songs full of energy, personality, and history. “Oh, That Smile” should be a hit single! Gorgeous.

11.Darrell Scott- Couchville Sessions With consistency his strong suit, and similar in most ways to his breakthrough album Family Tree, Couchville Sessions is a welcoming listening experience highlighted by Scott’s warmly distinctive voice and diverse presentation choices. Recorded around the same time Scott was starting to ‘break’ 15 years ago—working with Tim O’Brien and Guy Clark then—this is a set of well-aged performances captured in Scott’s living room, the gestation of which are disguised within the sultry “Come Into This Room.” It provides continuing evidence that Scott is one of Americana’s most vibrant visionaries.

12.Matt Patershuk- I Was So Fond of You Back in January or so of this year, I was listening to the radio and a four-song set was played-some combination of Corb Lund, Guy Clark, John Fulbright, and Patershuk, and I recall realizing that I couldn’t tell which of those guys was from La Glace, Alberta and making his living in construction. Put his songs on WDVX, and Patershuk would sound as comfortable alongside Darrell Scott, Fred Eaglesmith, and Chris Stapleton. Heck, add Sturgill Simpson, Hayes Carll, and the rest to the list. Patershuk is the real deal, folks. If you are missing the country, the kind of country music recorded in the days when there was more grease and a little less gloss, check out I Was So Fond of You.

13.Eric Brace & Peter Cooper- C & O Canal I suspect that I would enjoy passing time about a round table with a cool beverage in my hand in the company of either Eric Brace or Peter Cooper. Two of my favourite musicians, songwriters, and wordsmiths, Cooper and Brace have released a strong slate of albums over the past decade. C & O Canal, their latest, pays homage to the folk and bluegrass music the two encountered in Washington, DC in the 70s and 80s.

14.Rory Block- Keepin’ Outta Trouble A tribute to Bukka White, this set is so strong that it deserves a place in my Top 20 rather than as part of my tributes/collections list that is still being assembled. Block goes beyond White’s music, creating original music inspired by his life and his approach to the blues. With attention to detail, but an even greater sense of purpose, Block enlivens these performances with a balance of passion and precision that breathes life into oft-encountered numbers. Her voice is magic, and her approach to blues guitar is clean, restrained, and just damn fine beautiful.

15.Dori Freeman- Dori Freeman Freeman isn’t interested in presenting herself as some social archeology project, the mountain singer untouched by modern sway. She is a contemporary vocalist, one touched by the influences of her rural mountain upbringing as well as less-rustic contributions. She is a folk singer, a country singer, and a pop singer, all rolled into one appealing vocal package. Having written these ten songs, Freeman most obviously has her own viewpoint and voice, one that has been honed by producer Teddy Thompson; the focus of the arrangements, musicians, and production choices remain on Freeman and her songs.

16.Red Tail Ring- Far Away Blues How did this relatively unheralded set have such a significant impact on me that it took about two months to (barely) uncover the words to attempt a review? It is danged freakin’ good. This Michigan duo of Laurel Premo and Michael Beauchamp is incredible. They have the rare ability to inhabit songs, removing the barrier of time, place, and reality between their performance of ancient tunes “Yarrow” and “Come All Ye Fair & Tender Ladies,” their own timely compositions, the recorded medium, and the audience. You are transported into the recording, watching the pair lean into their songs as they maintain eye contact to communicate chords and progressions.

17.Chicago Farmer- Midwest Side Stories Cody Diekhoff—okay, Chicago Farmer—doesn’t set out to do anything fancy on Midwest Side Stories. He has insight into the experiences and internal dialogues of contemporary working class folks, and has the artistic ability to convert these into songs of substance and interest. “Skateboard Song” touches on a whole lot of stuff—youthful disenchantment, small-mindedness, finger-pointing, and police harassment, just to start—over a hard-beaten melody that would do both Weezer and Dan Bern proud. Chicago Farmer’s mid-western insights do not limit these songs: they appeal whether you are rural or urban, upstate or down, blue- or white- collar, Canadian or American. “Rocco N’ Susie” are our neighbours, the ones we don’t really know, but are more like us than we care to admit—a couple pay cheques away from foreclosure, a few months from desolation, several bad decisions from remand. The gradual journey from independence to dependence is identified in “Farms & Factories,” suspicion thrives in “Revolving Door,” and the night shift margins are explored on “9 pm to 5.”

18.Margo Price- Midwest Farmer’s Daughter I had several albums circling around these final spots, and I went with the ones I did because of their genuineness, their apparent authenticity. There is little to suggest Price considered market configurations or sales ramifications when compiling the songs for this release. Like Hazel Dickens did and Brandy Clark does, Price sings and writes of true life situations, and like Dickens (but not so much Clark) she doesn’t add a lot of spit and polish to the music. When I hear “Four Years of Chances,” “Hurtin’ On the Bottle,” “Desperate and Depressed,” and “This Town Gets Around,” I imagine I’m experiencing something similar to what folks felt listening to Loretta Lynn for the first time more than fifty years ago; still, I don’t think Loretta ever sang of blow jobs.

19.Corey Isenor- A Painted Portrait (Of the Classic Ruse) This is country music. Just not country music. There are times, as in “From Towers to Windmills,” that I am reminded of New Order (“Love Vigilantes.”) At other points Isenor’s approach reminds me of Matthew Lovegrove’s Woodland Telegraph: sparse, minimalist and achingly poignant (“Queen of Calgary” and “Diamonds on the Moon.”) “The Navy Blues” is catchy and complex, with Andrew Sneddon’s pedal steel providing additional melancholy. Rebecca Zolkower and Desiree Gordon’s vocals lend depth to several songs, as do Liam Frier’s guitar contributions. Alt-country continues with Corey Isenor.

20. Grant-Lee Phillips- The Narrows Sometimes you locate an album never realizing you were looking for it. The Narrows is one of those albums. I have a couple Grant-Lee Phillips albums, ones I listened to a few times upon purchase and then filed away in the drawers. I was looking around the internet one night a few months back and clicked on a video link for “Tennessee Rain.” Before the song was finished playing, I had gone into iTunes and hit Buy. Raucous in places (“Rolling Pin”) and atmospheric elsewhere, the deluxe edition of the album provides additional takes that extend the pleasure of the listen. While the Drive By Truckers delivered a more timely and angry disc, GLP produced the more enduring one.

I’m out of words, but also enjoyed these discs:

Brandy Clark- Big Day in a Small Town; Mary Chapin Carpenter- The Things That We Are Made Of; Parker Millsap- The Very Last Day; Lori McKenna- The Bird & the Rifle; Paul Gauthen- My Gospel; Loretta Lynn- Full Circle; Mandolin Orange- Blindfaller; Blackie & the Rodeo Kings- Kings & Kings; Chely Wright- I Am the Rain; Steve Forbert- Flying at Night; and Drive-By Truckers- American Band;

As an aside or addition, my favourite Roots Compilations/Tributes/Reissues of the year are, in no particular order:

VA- 40 Years of Stony Plain

J D Crowe & the New South- S/T vinyl 

Gillian Welch- Boots No. 1- The Official Revival Bootleg

Nitty Gritty Dirt Band- Circlin’ Back: Celebrating 50 Years

VA- Wayfaring Strangers: Cosmic American Music

VA- God Don’t Never Change: The Songs of Blind Willie Johnson

VA- Just Love: A Tribute to Audrey Auld Mezera

VA- The Life and Songs of Emmylou Harris

VA- Fast Folk: A Tribute to Jack Hardy

Merl Saunders and Jerry Garcia- Keystone Companions: The Complete 1973 Fantasy Recordings vinyl box

(Not included in the above list are excellent tribute [or tribute-ish] albums from Del McCoury Band, Laurie Lewis & the Right Hands, The Earls of Leicester, Rory Block, Jenny Whiteley [tribute to her family’s musical roots,] and Eric Brace/Peter Cooper, all of which made my top Bluegrass or Roots album lists.)

Finally, some 2015 albums didn’t get as much attention from me last year as they did in 2016, for a variety of reasons. But, man- did I play the heck out of them this year: Linda McRae- Shadow Trails; Chris Stapleton- Traveller; Josh Ritter- Sermon on the Rocks; Sam Baker- Say Grace; and Steve Forbert- Compromised.

BUY SOME MUSIC, DAMMIT! Roots musicians deserve our support.

Best for the New Year, Donald

 

 

 

 

 

Doug Seegers- Going Down to the River review   Leave a comment

DougSeegers_River_coverFINALDoug Seegers Going Down to the River Rounder Records

Delia Bell. Ted Hawkins. David Ball. James Hand.

Every once in awhile, a singer who has been around for a long, long time gets ‘discovered’ and is thrust into the roots limelight for a wee slice of time.

Sometimes they hit. More often, they are soon forgotten.

Like the four names mentioned above, Doug Seegers has been making music for more than a little while. His story got a great deal of attention starting a couple months back, and his Rounder debut is coming out in early October. (Actually, I thought it was already out it has been in my hands for so long; good idea always to fact check.)

I don’t know if Seegers will stick around in what passes for a roots mainstream or not. I do know that Going Down to the River is a darned good sounding country music album.

In case you missed it, here’s a capsule of the capsule: raised on Hank, Sr., a fan of Lennon and Gram, NYC street musician Seegers made his way to Austin, befriended Buddy Miller, got married, settles back in upstate NY, gives up music, but keeps the itch. Eventually, he moves to Nashville and for almost two decades busks for tips in West Nashville and on Lower Broadway. Off the bad habits, he is discovered by a Swedish country star, and becomes a bit of a sensation in the Scandinavian country, with “Going Down to the River” topping the iTunes chart. He is introduced to the right producer, reconnects with Miller, impresses Emmylou Harris, and Going Down to the River makes Swedish gold in a couple months!

The very talented Peter Cooper wrote a story about Seegers a few months back, and it should be read; it gives the full picture.

Going Down to the River was produced by the always tasteful Will Kimbrough (he’s worked with Fervor Coulee favourite Kate Campbell), and it is as stunning a disc as its back story promises.

The album kicks off with the emotional “Angie’s Song,” a favourite of the singer-songwriter. From his first notes Seegers reminds me of no one more than Eddie Noack, the long ago singer that brought “Psycho,” “Delores,” “Barbara Joy,” and other gruesome songs to life. As this lonesome song develops, Marty Brown—another long ago discarded singer that Nashville discovered for a few months, and who I just learned had some success on America’s Got Talent last year—comes to mind, and to my ears he is the best vocal comparison I can locate. (A YouTube clip of Brown’s AGT audition is here.)

There is no mistaking the emotional intensity that Seegers brings to his songs; this natural quality is apparent within each of Going Down to the River’s dozen songs. The quality of his songs is impressive, and this excellence combined with Seegers’ vocal appeal soon makes one set aside similarities or phrasal tendencies and simply concentrate on the connection he is making with his audience.

“Going Down to the River” is the composition that first gained Seegers notice, and it isn’t hard to understand why: “I’m going down to the river, I’m going to wash my soul again; I’ve been running with the devil, and I know that he is not my friend.” Beyond the words, the performance is stunning: restrained, raw perhaps, but crackling with electricity.

By song three, when Emmylou Harris joins in on “She” (which she didn’t on the original GP version more than forty years ago), all bets are off and Seegers is soaring. Harris comes bouncing in on the second chorus before taking a few lines for herself; this is a strong arrangement choice, one that I’ve not heard elsewhere and it serves the song beautifully.

Because of the many production choices Kimbrough makes on this track—the slivers of pedal steel from Al Perkins, the vigorous reverb, even allowing Seegers the first 100 seconds without Harris—everything comes together on this notable take: a (overly?) familiar song is completely reinvigorated.

The album’s other non-original is a quick little run through of Hank Williams’ “There’ll Be No Teardrops Tonight.” Joining Seegers on this one is his old Austin friend Buddy Miller, and the pair duet nicely together. Barbara Lamb, who plays fiddle on every track, accounts for herself well here.

“Pour Me,” “Lonely Drifter’s Cry,” and “Memory Lane” are not only well constructed, they ring with the authenticity that comes from having been written by one who has lived his songs. Not an obviously autobiographical songwriter, Seegers’ reality have influenced his compositions.

Going Down to the River delivers on the promise the advance press has hyped. A feel good story delivered via a remarkable neo-traditional country album.

Thank you for visiting Fervor Coulee. Donald

 

 

Fervor Coulee’s Favourite Roots Music Albums of 2013   2 comments

These types of lists are fairly self-indulgent, but most things we do seem to be. What the heck, then?

I am fairly confident in my choices this year- I created lists as the months passed, and have considered well in excess of a hundred albums for placement.  Here then are my favourite roots music albums of the year, accompanied by links to longer pieces I’ve written or, alternately when I didn’t write about a particular album, video.

[Update: #25 has been revised. Someone asked why so little mainstream country. Answer, I don’t listen to most of what would be considered modern country. I didn’t listen to the Brandy Clark album enough yet to place it in my Top 25, but I am really enjoying it. Whether that is mainstream…]

Favourite Album Covers-

skaggs1. Ricky Skaggs & Bruce Hornsby- Live Cluck Ol’ Hen

2. Guy Clark- My Favorite Picture of You– Great story behind this one. Well executed.

3. Noam Pikelny- Plays Kenny Baker Plays Bill Monroe– some concert posters in the background may have pushed it over the top

4. Sturgill Simpson- High Top Mountain

5. Jack Lawrence- Arthel’s Guitar

Favorite Covers and Tribute Albums-

1.Don Rigsby- Doctor’s Orders: A Tribute to Ralph Stanley http://www.youtube.com/watch?v=0MNcu_x6_xY

2. Let Us In Americana- The Music of Paul McCartney

3. Unsung Hero : A Tribute to the Music of Ron Davies

4. Joe Mullins & Junior Sisk- Bluegrass Hall of Fame https://fervorcoulee.wordpress.com/2013/12/12/junior-sisk-joe-mullins-hall-of-fame-bluegrass-review/

5. Jack Lawrence- Arthel’s Guitar arthel

6. Martyn Joseph- Tires Rushing By in the Rain

7. Ben Sollee- The Hollow Sessions

8. You Don’t Know Me: Rediscovering Eddy Arnold

9. Matthew Sweet & Susanna Hoffs- Under the Covers, Vol.3

Favourite Reissues and Archival Releases of the Year-

1. George Jones- The Complete United Artists Solo Singles george

2. Steve Forbert- Early On: The Best of the Mississippi Recordings and the Alive on Arrival/Jackrabbit Slim twofer, more concise and accessible than the previous Rolling Tide reissues

3. Townes Van Zandt- Sunshine Boy: The Unheard Sessions & Demos 1971-1972

4. Guy Clark- Dixie’s Bar & Bus Stop

5. The Bottle Rockets- The Bottle Rockets/The Brooklyn SideThe Bottle Rockets was and is one of the greatest Americana/alt.country albums ever recorded. The bonus tracks provide further context for the days that I wasn’t aware of until they were over. So enthralled with that album, I’ve allowed The Brooklyn Side to sit on the shelf untouched since the first and only time I played it all those years ago. My mistake. One I won’t allow to be repeated.

6. Billy Bragg Life’s A Riot with Spy vs Spy, 30th Anniversary Edition A most concise vision of the power of words and music; comes with a recent live encore of the 7-track e.p.

7. James Keelaghan History: The First 25 Years

Favourite Various Artists and Compilation Albums-

1.  Divided & United: The Songs of the Civil War imagesJ2S505VN

2. The Daughters of Bluegrass- Pickin’ Like A Girl https://fervorcoulee.wordpress.com/2013/07/18/daughters-of-bluegrass-pickin-like-a-girl-review/

3. God Didn’t Choose Sides

4. Classic Banjo from Smithsonian Folkways

5. Ghost Brothers of Darkland County

The following are my favourite stand-alone albums of 2013, often the albums I spent the most time with this past year (or, in the case of late year releases, the albums I feel I will end up spending the most time with):

1. Guy Clark- My Favorite Picture of You: The elder statesman does it again, producing another exceptional collection of songs, all but a cover of a Lyle Lovett song co-writes. Beautifully sung and played. Clark’s thirteenth album of new material, recorded at age 71, was head and shoulders this past year’s finest roots music album. If there is justice, and voters were actually listening, he’ll receive a Grammy in January. http://www.youtube.com/watch?v=qIftiMZPVsE&list=RDntpyFfef-NA

2. John Reischman- Walk Along John https://fervorcoulee.wordpress.com/2013/07/27/john-reischman-walk-along-john-review/

3. J. R. Shore- State Theatre https://fervorcoulee.wordpress.com/2013/05/26/j-r-shore-state-theatre-review-the-polaris-music-prize/

4. Slaid Cleaves- Still Fighting the War: Gives ol’ Guy a run for his money. http://slaidcleaves.com/category/videos/

5. Mike Plume- Red and White Blues: Following up the very excellent 8:30 Newfoundland, Mike Plume returned not only with a most sincere Stompin’ Tom Connors tribute, but a set of songs- almost equal parts Maritime stomper and prairie balladry- that will soon stand with his best. http://mikeplume.com/steelbeltedwebsite/?page_id=19

6. Kimberley Rew- Healing Broadway: Pub roots. http://www.kimberleyrew.com/

7. Bruce Foxton- Back in the Room: If by roots you mean rock n roll. http://www.youtube.com/watch?v=syxMnWmrACM

8. The Gibson Brothers- They Call It Music https://fervorcoulee.wordpress.com/2013/05/13/the-gibson-brothers-they-call-it-music-review/

9. Chris Jones & The Night Drivers- Lonely Comes Easy https://fervorcoulee.wordpress.com/2013/08/24/chris-jones-the-night-drivers-lonely-comes-easy-review/

10. D. B. Rielly- Cross My Heart & Hope to Die https://fervorcoulee.wordpress.com/2013/12/12/d-b-rielly-cross-my-heart-hope-to-die-review/

11. Darden Smith- Love Calling https://fervorcoulee.wordpress.com/2013/07/30/darden-smith-love-calling-review/

12. Robbie Fulks- Gone Away Backward http://www.youtube.com/watch?v=T00vjRCmf3g

13. The Del McCoury Band- The Streets of Baltimore: Experience counts for a whole lot. http://www.youtube.com/watch?v=T_K_7pcdvck

14. Leeroy Stagger- Truth Be Sold  https://fervorcoulee.wordpress.com/2013/11/23/leeroy-stagger-truth-be-sold-review/ http://exclaim.ca/MusicVideo/ClickHear/leeroy_stagger-cities_on_fire_video

15. Alice Gerrard- Bittersweet https://fervorcoulee.wordpress.com/2013/08/10/alice-gerrard-bittersweet-review/

16. Noam Pikelny- Plays Kenny Baker Plays Bill Monroe http://www.youtube.com/watch?v=Iqys8Ez7Cno

17. Marshall Chapman- Blaze of Glory: Another great album of honest roots rock. http://www.youtube.com/watch?v=azPRk89nKaQ

18. Holly Williams- The Highway: Purchased after reading a couple reviews and having never heard her; glad I did. http://www.hollywilliams.com/portfolio-items/the-highway/

19. Sturgill Simpson- High Top Mountain: I’m glad all music isn’t this well-grounded in the country tradition. Makes it all the more special when you find it. http://www.youtube.com/watch?v=tNV16tz1NK0

20. John Paul Keith- Memphis 3 A.M.: A long-time favourite singer. http://www.youtube.com/watch?v=TWk5Yo9dIG0

21. James King- Three Chords and the Truth: Only bought this one before Christmas; need to listen more, but nothing to lead me to believe it isn’t going to stay with me for a long time. http://www.youtube.com/watch?v=lWnKoIXS1KU

22. Kim Beggs- Beauty and Breaking: an exceptional collection of song that are already familiar. With more listens, I’m confident  it will become even more appreciated. http://www.kimbeggs.com/videoplay.html?video=http://www.youtube.com/v/mL45VqBql00

23. Jeff Black- B-Sidea and Confessions, Volume Two https://fervorcoulee.wordpress.com/2013/05/20/jeff-black-b-sides-and-confessions-volume-two-review/

24. Peter Rowan- The Old School https://fervorcoulee.wordpress.com/2013/05/20/peter-rowan-the-old-school-review/

25. Blue Mafia- My Cold Heart https://fervorcoulee.wordpress.com/2013/08/23/blue-mafia-my-cold-heart-review/ Was in consideration right up until I wrote the final draft. Another listen brought it forward, knocking Emmylou & Rodney out of the 25th spot. I’m sure they will recover.

Emmylou Harris and Rodney Crowell- Old Yellow Moon: Once upon a time, an album this stunning would be much higher that #25; that is one indication of how great the last year has been. http://www.youtube.com/watch?v=0MNcu_x6_xY

Thanks for visiting Fervor Coulee so often in 2013, and I hope you will continue to find roots music opinion of interest in 2014 and beyond.

As always, Donald @FervorCoulee on the Twittering thing.