Fervor Coulee’s Favourite Roots Albums of 2022

I have no idea how many roots albums I bought, received for review, actually wrote about, listened to through a brief flirtation with a streaming service, and sampled via Polaris Music Prize jury membership, as well as other industry-provided downloads during 2022. But when I review other lists, I see a lot I am familiar… Continue reading Fervor Coulee’s Favourite Roots Albums of 2022

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Fervor Coulee’s Favourite Blues Albums, 2022

I do enjoy blues music. Of all the roots styles I feature at Fervor Coulee, blues is the music I reach for when listening for enjoyment the least: I listen to it intently while reviewing and writing, but I just don’t often go to the shelves searching for blues music. That changed a bit this… Continue reading Fervor Coulee’s Favourite Blues Albums, 2022

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Harrison Kennedy- Thanks for Tomorrow review

Harrison Kennedy Thanks for Tomorrow Electro-Fi Records I don’t receive as many high-quality blues albums for review as I perhaps once did, but often enough something sneaks through to impress. This week that album comes from Ontario and Juno Award winner Harrison Kennedy. Oowee! This is my kind of blues, a mix of soul and… Continue reading Harrison Kennedy- Thanks for Tomorrow review

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Michael Jerome Browne- That’s Where It’s At review

Michael Jerome Browne That’s Where It’s At Borealis Records http://www.MichaelJeromeBrowne.com The first sound you hear on Michael Jerome Browne’s That’s Where It’s At is an expertly executed series of notes utilizing his Waterloo Jumbo King 6-string guitar. Appropriate, because ‘that’s where it’s at!’ MJB has been making records for a long time, and I’ve been… Continue reading Michael Jerome Browne- That’s Where It’s At review

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