Archive for the ‘Kathy Kallick’ Tag

Kathy Kallick Band- Horrible World review   Leave a comment

kallickKathy Kallick Band Horrible World Live Oak Records KathyKallick.com

I’ve been writing about Kathy Kallick almost as long as I’ve been writing about roots music.

With others, I produced a concert for the Kathy Kallick Band, have bought several CDs—and been afforded others— and spent time listening to her music at multiple festivals and various stages—I am positive both as a reformed Good Ol’ Persons (although I can locate no record of such) and as the KKB—while having a couple semi-private chats with her. She is undoubtedly one of my favourite bluegrass and Americana performers.

Kathy Kallick’s voice is always warm and inviting, even when singing songs with the coldest of themes: she knows her way around a murderin’ outlaw song as well as anyone, and yet can embrace the complexities of relationships and daily life with seeming ease. While she can and does perform in a range of situations, never is she so strong than when fronting a vibrant, driving bluegrass band, and over the past many years has been releasing complex and engaging albums with her band.

Warmer Shade of Blue reached a level few bands can ever achieve, and yet she built upon that with Between the Hollow & the High-Rise and FoxhoundsFoxhounds while never faltering. Her recording of a few years back with Laurie Lewis honouring Vern & Ray also deserves recognition.

Horrible World (countered both in song and on the back cover with “It’s A Beautiful World”) continues the Kathy Kallick Band’s streak of excellence. As always, her songs are deep and meaningful creations, ones that find a way to speak to innermost thoughts. She balances these heady moments with unconventional renditions of familiar songs, for example recreating “Cotton-Eyed Joe” as a pensive 3/4 time ballad, before shifting gears ala Monroe’s post-Presley “Blue Moon of Kentucky.”

Tom Bekeny (mandolin) has been part of the group since the start and Walkin’ In My Shoes, and is as central to the KKB sound as is its namesake. His interaction with bandmates during the extended instrumental break within the telling “Nothin’ So Bad (It Can’t Get Worse)” is notable. The lineup of the group remains consistent from Foxhounds: Annie Staninec (fiddle), Greg Booth (Dobro and banjo), and Cary Black (bass) along with Kallick (guitar) and Bekeny. As usual, everyone sings various bits and parts.

With a trio of instrumentals—one near-grass (“Cascade Blues”), one western swingin’ (“Boot Heel Drive”) and one bonafide ‘grass (Bekeny’s “Edale)”—and familiar songs including “My Honey Lou” and “Dark As The Night (Blue As The Day,)” which I swear I have heard Kallick sing previously, [ed.note: and I have, if not in concert at least on the live Good Ol’ Person’s release, Good ‘n’ Live; thanks Mr. Thompson] leading the way, Horrible World is a very accessible bluegrass release.  This interpretation of “Dark As The Night” is stellar, bluesy and pure yearnsome. “Pockets Full of Rain” is a hopeful (vaguely familiar sounding) new-folk song, and “Ride Away” is a spirited ‘bad guy’ tale, and Kallick goes hard—as she often does—to give voice to this spritely number. “Solid Gone” incorporates years of folk-country-and bluegrass tradition within its words and melody, and Staninec’s singing style is well-suited to this old-timey song.

The album closing “This Beautiful World,” a John Reischman-Kallick co-write is a gentle meditation for hope and faith, as is “The Sunday Road,” albeit with a bit more pep.

The Kathy Kallick Band is one of the strongest, most consistent and satisfying bluegrass bands going. That they never receive their due from the IBMA voting membership come awards time is a shame. An album like Horrible World could change that, should folks in positions of influence ever bleeding notice. But I’ve been saying similar for 15 years.

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Review: Dolly Parton, Town Mountain, Lewis & Kallick, Ralph Stanley   Leave a comment

A few reviews have been posted over at the Lonesome Road Review.

untitledLaurie Lewis & Kathy Kallick’s tribute to Vern Williams and Ray Park is a stunning bluegrass collection.

I was asked to submit a version of my Ralph Stanley & Ralph Stanley II duets album of earlier this year.

Rising bluegrass band Town Mountain has released a ‘stop-gap’ live set that is brief, but still pretty enjoyable.

Finally, I was assigned Dolly Parton’s latest. Despite having enjoyed her music for decades, I wasn’t impressed this time out.

Thanks for visiting Fervor Coulee. Donald

 

Kathy Kallick- Cut To The Chase review   Leave a comment

untitledMy review of Kathy Kallick’s new album is up at the Lonesome Road Review. As have been many albums released this spring, it is mighty impressive. Emphasizing the story elements of song, Kallick has produced yet another well-balanced collection of bluegrass and acoustiblue music.

As always, thank you for visiting Fervor Coulee. Donald

@FervorCoulee

Kathy Kallick, Paul Williams & The Victory Trio, and David Parmley   Leave a comment

My thoughts on three terrific new bluegrass gospel albums have been posted over at Fervor Coulee Bluegrass on the Country Standard Time site: http://www.countrystandardtime.com/blog/FervorCouleeBluegrass/entry.asp?xid=829

Thanks, as always, for visiting Fervor Coulee- I hope you are finding thoughts of interest and music to explore. Donald

Walkin’ Talkin’ Dancin’ Singin’- June 21, 2010   2 comments

Fred Eaglesmith- Cha Cha Cha Reviewed here: http://www.countrystandardtime.com/d/cdreview.asp?xid=4463 With every listen, this album reveals a bit more. And what it reveals, is good.

The album I most enjoyed listening to this week.

Fred Eaglesmith- Milly’s Café, 50 Odd Dollars, Dusty I listened to these the other night while prepping my Cha Cha Cha piece. Dusty shocked me. I thought I disliked the album, and because of that I haven’t listened to it since it was released. Surprise. It’s pretty good. I know what I didn’t like- the organ- but my ears have grown into it. Really glad I pulled it off the shelf.

The Sadies- Darker Circles Working on a review. Well, listening a lot in preparation of writing a review.

Bryan Sutton and Friends- Almost Live One of those albums I feel quite inadequate reviewing.

The Preservation Hall Jazz Band- Preservation Treme wrapped up Season 1 last night; I thought it had finished up before Memorial Day, but it only took a week off. Great show. I hadn’t listened to this one in a couple weeks, but put it on after the show was finished. The last four cuts really appealed to me last night.

Ian Dury- New Boots and Panties!! Just had to listen to it again. Rhymes, rhymes, rhymes. Rhythms. Rhythms. Rhythms. Good.

Kimberley Rew- Great Central Revisited One of my favourite albums. He is a master.

Highwaymen- The Road Goes On Forever: 10th Anniversary Edition Pulled off the shelf while writing a review for the new Mark Chesnutt album. Enjoyable, and even more so now than when first released.

Kathy Kallick Band- Between the Hollow and the High-Rise Great title! One of my favourite bluegrass people, Kathy Kallick is. I’ll be listening to this one all summer.

Oliver Schroer & The Stewed Tomatoes- Freedom Row Even better the second week. Reviewed in the paper last Friday; link below…somewhere.

Dierks Bentley- Up On The Ridge The last time a major country artist- at the top of his game, while not exactly setting the world on fire with his previous release- was this brave, putting everything on the line to make music he loves was, well…never? Marty Stuart, who Bentley does remind me of at times on this pretty spectacular acoustic roots album, did something similarly risky in 1999 with The Pilgrim. While an artistic success, The Pilgrim died at retail. So far, Up On The Ridge is a chart success. It is a terrific album and the contributions of The Punch Brothers and Del McCoury push it over the edge.

Doc Watson- Songs for Little Pickers Any Doc is good Doc.

Mumford & Sons- Sigh No More Modern music for a non-modern guy.

The Wooden Sky- If I Don’t Come Home You’ll Know I’m Gone The only release from my Polaris Music Prize ballot to make it through to the ‘long list’ stage; how can I be so consistently out-of-touch with the Canadian pressie masses? Pretty easily- only a very small sampling of music I would identify as roots made it through- see the long list here: http://www.polarismusicprize.ca/blog/148 Lots of good music, no doubt, but it is criminal that John Wort Hannam was overlooked- Juno nominated, Queen’s Hotel is wonderful folk album, one for the ages. The Wooden Sky is battling it out with Lee Harvey Osmond for top place on my ‘short list’ ballot. Had LHO had a W in it, it may have made my Long List ballot.

The Fabulous Ginn Sisters- You Can’t Take A Bad Girl Home I’m reserving judgment until I listen again. Some nice songs with lyrics clever enough for me to suspect Fred Eaglesmith had a hand in them- the writing credits prove me wrong.