Archive for the ‘Samantha Martin & Delta Sugar’ Tag

Favourite Roots Albums of 2018, so far   Leave a comment

It’s July 1. The year is half over and during the past six months some terrific music has been released. While I have heard my share of the roots music that has come out, I haven’t heard it all. I do have my favourites and that is what I share today: Fervor Coulee’s Favourite Roots releases of 2018, so far. In no particular order…

GauthierMary Gauthier- Rifles & Rosary Beads An ambitious undertaking that has received its fair share of attention. Co-writing with American veterans and their families, Gauthier has created a piece of art greater than its parts. Of course, none of it would be as significant if the songs themselves were weak or if Gauthier faltered in their delivery. No worries. Gauthier’s indomitable performances bridge the gap between those of us who have never considered serving in the military, and those whose lives have inalterably changed because of their sacrifices. Key tracks: “Got Your Six” “The War After the War” “Brothers” (purchased download)

JohnnyCash-ForeverWordsVarious Artists- Johnny Cash Forever Words: The Music Excepting the typically overwrought Elvis Costello track (When he sang—prior to about 2000—there were few who had greater regard for him, but he lost me a long time ago—his voice is shot, he mistakes emoting for expression, and has completely lost the plot on what even sounds ‘good’) this collection provides an hour of entertainment and contemplation. Comprised of unrecorded Cash ‘songs’—lyrics, poems, or musings, depending—that were—for the most part—fleshed out by the various performers, one is transported into a series of ethereal collaborations that is very affecting. Again, like the Gauthier album, what matters is more than the process, it’s the music: this album enhances the Cash legacy, unlike some other more exploitive sets that have been released. Key tracks:    Alison Krauss & Union Station’s interpretation of Robert Lee Castleman’s “The Captain’s Daughter” Rosanne Cash’s “The Walking Wounded” Carlene Carter’s “June’s Sundown” Jamey Johnson “Spirit Rider” (purchased CD)

GebtryBobbie Gentry- Live At The BBC A Record Store Day release, this 12-track compilation of cuts from 1968 and 1969 are simply a fan’s greatest attainable wish. Performances—excepting “Ode to Billie Joe”—unheard since their original broadcast (so, brand new to most of us) that add to Gentry’s legacy. Her voice is huskier on these numbers, the arrangements sparser, the mood slightly playful: the effect is  even greater intimacy that that expressed through the album versions of the songs. Key tracks: “Papa Won’t You Let Me Go To Town With You” “Recollection” “Nikki Hokey” in a medley with Robert Parker’s “Barefootin'” name-checking Long John Baldry. (purchased vinyl)

Motel MirrorsMotel Mirrors- In The Meantime The second collaboration between Amy LaVere and John Paul Keith is every bit as satisfying as their first, with the added bonus of having folded Will Sexton and Shawn Zorn into the mix to become a genuine band. Americana with a heavy dose of Memphis heart, this is a country-rock album that owes much to the music that influenced it. Key tracks: “Things I Learned” “Do With Me What You Want” “The Man Who Comes Around” (purchased download)

MarielMariel Buckley- Driving In The Dark I would have felt bad had I not been able to include an Alberta artist on this list, and Mariel Buckley doesn’t place out of any obligation. I wasn’t familiar with her until late last year, but she has quickly become a Fervor Coulee favourite. Produced by Leeroy Stagger, these ten songs contain lyrical and instrumental nuances that make them individually appealing and collectively stout. There isn’t much polish herein, just as it should be. I avoid using the word ‘authentic,’ but that is what works here. Straight-forward, modern country (think Kelly Willis) for those of us who live in the past. Key tracks: “Rose Coloured Frames” “Heart Is On Fire” “Pride” (purchased download)

David DavisDavid Davis & the Warrior River Boys- Didn’t He Ramble: The Songs of Charlie Poole A welcome return for one of bluegrass music’s most consistently satisfying bands with a traditional bent (serviced with CD). My full review here. 

DuffeyVarious Artists- Epilogue: A Tribute to John Duffey A bluegrass legend and innovator gets his due, more than two decades after his passing (Serviced with download). My full review here.

JoyannJoyann Parker- Hard To Love Soulful and blue (serviced with CD). My full review here.

dancing500Gretchen Peters- Dancing With the Beast Americana/folk doesn’t get better than this, the Nashville Songwriters Hall of Fame member’s ninth album of original material (purchased CD). My full review here.

HMT-Cover-862x785Hadley McCall Thackston- Hadley McCall Thackston A beautiful, stunning debut: like Venus, she emerges fully realized (serviced with CD). My full review here.

marewakefieldnomad_largeMare Wakefield & Nomad- Time to Fly There is so much good music, we can only hope that the best of it finds its way to us. Sometimes it is up to us to do the work. Search out this Nashville-based duo: they are worth it (serviced with CD). My full review here.

smds-album-cover-768x767Samantha Martin & Delta Sugar- Run To Me Southern Ontario’s soul revue gift to the world- lively, bright, and brassy (serviced with CD). My full review here.

DocWatson_LiveAtClub47_COVER-494x494Doc Watson Live at Club 47 There is no end to the live Doc Watson albums available, and some (Doc Watson On Stage, for one) are definitely more well-rounded than this set. However, this 1963 set recorded in Massachusetts is a welcome and indispensable addition for those of us who just can’t get enough of the deft, affable roots legend. Several of the songs contained here would remain staples of his live and recorded repertoire for the next five decades (“Little Sadie,” “Deep River Blues,” “Sittin’ On Top Of The World”) while others are less frequently encountered (“Little Margaret,” “Hop High Ladies The Cake’s All Dough,” and “Blue Smoke, for example.”) Watson’s connection to his audience would not waver throughout his career, and this early archival recording- coming in at almost 80 minutes- is riveting. (Purchased download)

 I limited myself to a  baker’s dozen albums. Look around Fervor Coulee- I have reviewed a lot of great roots music since January, and many wonderful albums just wouldn’t fit on this list: the latest from Peter Rowan, Sylvia, John Prine, Bob Rea, Sue Foley, The Lynnes, John Paul Keith, Mary Chapin Carpenter, The Travelin’ McCourys…

Thanks for visiting Fervor Coulee. Donald

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Samantha Martin & Delta Sugar- Run To Me review   1 comment

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Samantha Martin & Delta Sugar Run to Me Gypsy Soul www.SamanthaMartin.ca

Some of the faces, voices, and instruments have changed since Samantha Martin & Delta Sugar’s debut album of three (really? three!) years ago, but the sound and outlook continues to rain joy and sorrow in equal measure: soulful, animated, and vigorous.

Samantha Martin’s slightly gravelly voice brings each of the ten included songs to life; she isn’t messing around here: nothing is wasted, no going through the motions. When she demands, “Tell me where you been,” in “All Night Long,” you know she already has the philanderer nailed.

Without doubt, Martin is the focus here, but Delta Sugar gets co-billing for a reason. Vocalists Sherie Marshall and Mwansa Mwansa provide Martin with support and depth that is more than impressive, while the nine-piece band create a substantial sound that is bright and resonant, simultaneously fresh and retro. This is a soul revue with few peers.

At their peak, Gladys Knight or Marilyn McCoo couldn’t sing these bittersweet anthems any better. “Will We Ever Learn,” indeed: “They say, ‘Love is blind;’ I tend to think it’s when lust is on your mind…” This honest distillation of what happens when one goes looking for love in the wrong places—”one of us had to get burned”—simmers over a bed of horns including Andrew Moljgun’s saxophone. “Over You” has a similar 70s sound, mature and bad ass, accepting no sass.

Lyrically, Martin and her various co-writers keep things rather ‘matter of fact.’ “You don’t have to put a ring on it—Baby, just put your back into it,” she sings on “Wanna Be Your Lover” before continuing, “Don’t worry about my heartstrings, You know I don’t feel those feelings—I just want to see what tomorrow brings.” Still, Martin has a sensitive side. “Gonna Find It” and “You’re The Love” find her seeking that which is missing. Echoes of Stax and long-forgotten southern soul sides abound.

With Suzie Vinnick as her writing partner, Martin goes looking for “Good Trouble,” perhaps the album’s most rock ‘n’ roll track. The sing-a-long chorus, “You’re never too young, you’re never too old, to find yourself good trouble; you must find a way, to get in the way, and find yourself good trouble,” is immediately appealing, and Steve Marriner’s organ break raise the stakes a bit higher. Equally engaging, “This Night Is Mine”—one of several songs co-written with guitarist Curtis Chaffey—is loaded with vocal and instrumental hooks, another complete band performance.

Run To Me is an incredible album. Expertly produced by bassist Darcy Yates, and with a running time is 35 minutes, Run To Me is a concise serving of electrifying soul, blues, and roots music.

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Samantha Martin & Delta Sugar- Send the Nightingale review   Leave a comment

imagesO, boy!

From the first notes of this explosive album, I was excited. I remained so as the album unfolded over its almost 40 minutes, and then I hit play again and was just as engaged the second time through.

And the fifth…

I love soulful, southern music, and this album delivers. All over the place.

Think Larry Jon Wilson if he had been born a woman.

Think Bobbie Gentry had she had sung the blues.

Think Lacy J. Dalton fronting a rock ‘n’ roll band with Joy Lynn White, Candi Staton, and Millie Jackson.

Not being previously familiar with Samantha Martin, I came to this disc with absolutely no preconceived notions. And I absolutely fell under its spell.

A bit spiritual, a lot lonely, a touch angry, and a whole bunch soulful, Send the Nightingale makes the fine music Martin had previously made with The Haggard and on her own seem pale in comparison. As appealing as those sounds are—and she has music from those previous albums streaming at her website—they serve as an appetizer for the explosion that is Send the Nightingale.

The reso strutting front woman has certainly found her stride here. Featuring the vocal support of Sherie Marshall and Stacie Tabb, songs like “Addicted to Love” and “Won’t You Stay” cry out for understanding as they burst from speakers. With additional guitar support from Mikey McCallum (who was part of The Haggard, I believe), “When You Walk Away” has the heart-wrenching qualities that one remembers from “Misty Blue.” “Mississippi Sun” has some Lucinda within its lipstick kisses remembrances.

While there is no shortage of nostalgia within Martin’s sound with Delta Sugar, it also possesses a powerful burst of energetic freshness. “Don’t Shoot” has rapid fire guitar licks blending with soulfully swinging vocals, and “Give Me Your Mercy” cries with passion.

It is still early, but Send the Nightingale is going to be one of my favourite albums this year.

http://www.samanthamartin.ca/

Thanks for visiting Fervor Coulee. Donald