Archive for the ‘Trudy Lynn’ Tag

Favourite Blues Albums of 2018   1 comment

I don’t listen to a lot of blues, and almost all that does come my way is via a small handful of supportive PR houses. To their credit, they are discriminating. Still, a lot of the (mostly) electric blues that I encounter leaves me cold. My preferred style of blues is (usually) of the acoustic-based, singer-songwriter type. That and blues that comes with a heavy dose of rhythm ‘n’ soul. These are the finest of the forty or fifty blues (and blues-ish) albums that came my way during 2018.

Take it for what it is:

1. Samantha Martin & Delta Sugar- Run To Me reviewed here

2. Rory Block- A Woman’s Soul: A Tribute to Bessie Smith reviewed here

3. Sue Foley- The Ice Queen reviewed here

4. Joyann Parker- Hard to Love reviewed here

 5. John Akapo- Paradise Blues reviewed here

6. Brandon Isaak- Rise ‘n’ Shine Gritty and groovy folk-blues with just a touch of grease. Atmospheric and engaging, Brandon Isaak is a terrific songwriter and performer. Enjoyed this one immensely.

7. Emily Burgess- Are We In Love? reviewed here

8. Trudy Lynn- Blues Keep Knockin’ reviewed here

9. Kat Danser- Goin’ Gone reviewed here

10. Suzie Vinnick- Shake The Love Around reviewed here

Ed. Note: I only purchased Shemekia Copeland’s America’s Child in the final days of 2018, and couldn’t include it on this list which was prepared at the beginning of December. A lot of good things have been said about the album, and I will add to it: smart, blistering takes of the country to our south- Copeland goes deeper than most blues artists, and not just one a select song or two. I need to listen to her more, and to this album, of course, but Copeland reminds me of Rosanne Cash- unafraid to take on the world that is darkening around her. God, can she sing! Of course, produced by Will Kimbrough, further strengthening my argument that he is involved in just about every album worth listening to- he is also all over Mary Gauthier’s Rifles and Rosary Beads. Had I listened earlier, Copeland’s album would easily be in my Blues top 5, and likely in my Singer-Songwriter/Roots Top 20. Brilliant album.


Trudy Lynn- Blues Keep Knockin’ review   2 comments

trudy-lynn-blues-keep-knockin-hi-res-coverTrudy Lynn Blues Keep Rockin’ Conner Ray Music

In the last six months, an abundance of blues have been sent my way. Most of it has left me cold: with all due respect to the PR folks, labels, and musicians—I don’t need to hear any more guitar noodlers. Each and every one leaves me bored.

What doesn’t? Albums produced by singers like Trudy Lynn.

I have heard and written about some great blues singers this year: Suzie Vinnick, Rory Block, Joyann Parker, Samantha Martin, Sue Foley, Crystal Shawanda…and I am guessing you are seeing what they have in common: they groove, they get deep, and they sing with soul. Beautiful recordings all.

Add Houston legend Trudy Lynn’s latest to the list. A member of the Houston Music Hall of Fame, Trudy Lynn knows her stuff. There is no little bit of R&B in her music, and she twists her one-of-a-kind voice around each and every song included on Blues Keep Knockin’.

Covering a Hoyt Axton/Three Dog Night song is always a fine way to get my attention, and Trudy Lynn’s mid-set, organ-embellished rendition of “I’ve Never Been to Spain” did the trick. Sultry and intimate, without over-reaching, this version is one to remember. “Blues Ain’t Nothin” and “Blues Keep Knocking” are powerful showpieces for this veteran of the circuit who has been nominated for Living Blues awards.

I sure don’t want to get on the wrong side of a woman declaring her devotion, “It’s tit-for-tit, tat-for-tat: you kill by dog, I’ll kill your cat…” as she does on “It’s Alright,” a sharp piano-based song that is as scary as it is powerful. Steve Krase’s harmonica is prominently positioned on this number, as well as throughout the album. “When I Been Drinkin'” is a no-nonsense declaration of a woman’s needs, and Dan Carpenter’s sax is just the punctuation the song requires, while Trudy Lynn lays things plain within “I Sing the Blues.” “Pitiful” features some fiery guitar from Bob Lanza, but it doesn’t detract from Ms Trudy’s  soul-drenched performance.

The album closes with a guitar-rich interpretation of Etta James’ “Would It Make Any Difference to You,” which features Carolyn Wonderland laying out lively, nuanced notes.

Trudy Lynn has been making music for a long time, and Blues Keep Knockin’ is her thirteenth album. This is a damn fine blues record. Seek it out.


Posted 2018 September 16 by Donald Teplyske in Uncategorized

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